Gail Priest - Metal Bitch Recordings Katoomba, Australia
Gail Priest is a sound artist from Sydney/Katoomba, Australia making experimental sound and electronic music that explores the interaction of the figurative and the abstract, the machinic and the organic, the sensual and the brutal. Her practice encompasses performance, recording, gallery installation and sound design. ... more
Gail Priest - Metal Bitch Recordings recommends:
Presentiments from the Spider Garden
by Gail Priest
Presentiments from the Spider Garden by Gail Priest (Endgame Records) challenges, charms and transports to a mirror-world of revolutionary battles, natural histories and strange alchemies.
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Birds of a Feather 7-8
by Marcus Fischer and Gail Priest
The Common Koel by Gail Priest, part of the Flaming Pines Birds of a Feather Series (split with Marcus Fischer).
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Killing Ghosts
by James Murray
supported by 6 fans who also own “Heraclitus in Iceland”
Killing Ghosts weaves ephemereal links with two non-miscible dimensions, flexibly transgresses the borders between the tangible and the unseizable. It gives us the paradoxical sensation to face an object ready to dissolve in the fog, like an apparition whose existence comes down to the length of our apnea, as the least breath will send it back to the twilight of its life. This microverse inevitably collapses in the end, but remember that what matters is the journey, and not the destination.
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A Room Now Empty
by Aaron Martin
supported by 6 fans who also own “Heraclitus in Iceland”
This album makes me feel strong pulls of somberness and remorse, but a sense of maturity to it, as if it's but a distant scar now and am ready to move on. The choice of slow moving cellos is very welcome on this album and makes the full piece feel full.
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Fivefiles EP
by Allenheimer
Recording as Allenheimer, Atli Bollason dismantles Icelandic pop songs, making illusory new ambient material from the component parts.
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Heading North
by Boxwork
Created to accompany a film about a bicycle trip from London to Edinburgh, “Heading North” is full of plaintive, whispery atmospherics.
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